John Henderson brings together six new works in an exhibition titled Two Sculptures, Three Paintings, and a Photograph. The three bodies of work on view—each executed in a distinct medium—present an analytical approach to the contemporary practice of abstract painting. Henderson’s exhibition suggests that engaging with the conceptual and aesthetic concerns of Painting today is necessarily a discursive project, whereby medium-specificity is tested and confused in order to question Painting’s conventional formatting and procedures. Across the exhibition, the viewer is presented with works that are not entirely what they seem to be at first glance.