“When I have finished my paintings, I put the drawings for them on the floor and walk on them until they are erased." [1]
Balthus’ statement on the occasion of his 1956 retrospective at MoMA reflects the artist's facetiousness and the mystery with which he liked to surround his work. The numerous drawings and notebooks that escaped erasure provide a revealing view of the artist’s work in the studio: the sketchbook at the heart of the Perrotin exhibition shows the artist's inspirations, the discipline of sketching, the models taking up their poses, and the maturation of the creative process.
[1] James Thrall Soby, Balthus, New York: Museum of Modern Art, 1956, p. 4.